Monday, January 31, 2011

Short Story: Welcome To Florida

I've been keen on writing short stories for a good while.  I'd like to think I'm good at it.

So I finally went with getting a short story submitted to an epublish service.

Available on BN.com with their NookBook ereader.  "Welcome To Florida."

Yay me.

The process itself with the ereader service is quick.  You just go to the retailer's self-publish option (Barnes & Noble is PubIt! and Amazon is Kindle Direct Publishing, for example), you sign up to their contract of eternal damnation and give away your firstborn, actually you give them financial info for a direct deposit account, you upload a copy of your story/essay/novel, provide a "book cover" for it, add a description and keywords for browse/search engines, select the price for sale, preview the work to ensure text and font alignment is good, and submit.  When I did it with PubIt, it took 24 hours after submitting for the short story to appear for sale on the NookBook menu.

And then you pray that 50,000 people see it and buy it.

The good part of the deal is, there's no hassle to getting published (as long as you don't violate community decency standards or national state secrets).  You write it, you format it, you get cover art made, you submit it.  In the old days (say, fifteen years ago), getting published meant you had to A) write a rough draft, B) find an agent, C) get the agent to convince a publisher to look at your work out of thousands of submissions, D) get signed to a book deal contingent on good sales, E) go through a massive editing process that takes months, F) go through a printing process that takes a year, G) get marketed to retailer and libraries and hope to God the book reviews are kind.

The old way was limited to about 20 to 30 new authors/books a year per publisher, pretty much.  In a competitive market, it was brutal.  The advantage to getting signed by a major book publisher, of course, was that it paid well and that the publisher handled all the marketing.  The alternative was called self-publishing.  You went to a vanity press or started your own press, and got it to crank out copies for you to sell.  You got published of course, but the disadvantages were that you A) paid out of your own pocket which most people can't afford, and B) you had to market your own book all by your lonesome: no agent or printer to make the deals or create ads for you.

About ten years ago, a new service popped up.  Thanks to the Internet, submissions and marketing could work in other ways.  Called Print-On-Demand, you still paid to get published, but it was cheaper (in some cases very cheap) than vanity presses.  The services also had fees for marketing services, but they still worked as leads in getting the word out and your book advertised.  What made the POD attractive was that the printer could keep the work on file in a professional format and easily print out more copies on short notice.  The PODs also had deals with retailers (like Amazon) to have the book available for online or special order.  They also began dabbling with ebook formats during the early 2000s, but lacking viable reader devices made that iffy.

Until Amazon came out with the Kindle.  And other book retailers followed suit with their ereaders.

The ebooks are everywhere now.  They were one of the hot items for last Christmas.  Sales for ebooks now outpace books.  And the competing devices - the handheld tablets - have apps that convert them into ereaders as well.  Getting published straight to ebook is looking very attractive.

You don't even need to publish books.  The ereaders are not limited by small file sizes (just big ones, meaning Stephen King and Tom Clancy need to start editing their books down more).  The story I submitted to PubIt for the Nook was on my word processor about 10 pages long, and that was with a cover page and Authors page.  The file itself was about 14k of memory converted to ebook.  Very small.

Publishing a short story is akin to issuing a music single compared to a whole album (in fact, most music until the 1960s were issued as singles only, with albums made as compilations afterward.  You could blame the Beatles for insisting on working album first, single second).  If you have an iPod or MP3 player, you can buy a song separately from the album.  The same can be said for the estory separately from an ebook.

The only real conflict I had with submitting "Welcome To Florida" as a story was the pricing.  I can set my own price from lowest to highest.  Most ebooks by established authors go for $7.99 to $11.99 perhaps higher depending on file size and author's ego size.  Most small-press publishers would get their ebooks at $4.99 to $6.99.  New authors or self-publishers tend to price their books however they want... but if they were smart they'd keep it under $5 to entice an audience that's looking for bargain deals.  The cheapest you can price an ebook on PubIt happens to be... $.99.  Roughly the price of an MP3 song, by the by.  I tried asking for a cheaper price than that because A) I'm new and need to attract the audience and B) I figured selling a short short for around $.65 was fair.  No, I had to set it at $.99, so I hope any buyers of the story won't feel gypped.


So, the great news is, I got a story published.  Didn't have to market it to story magazines or short story anthologies.  Didn't have to sign an agent to commission.  I published the book and set the price.

But now it's all on me to get the word out.  It's all on me to market the damn thing.  It's up to me to find at least 50,000 friends and family members with a Nook ereader (or Nook app) to spend the $.99 to buy the short story and not ask for a refund.

Good thing I'm attending a Barnes & Noble Local Authors' event this Feb. 5th 2011 in Wesley Chapel, FL at the Wire Grass Mall.  It's from 2:00 pm to 4:00 pm.  Please do show.

Also, I need to print up bookmarks advertising it... It's doable...

Wednesday, January 26, 2011

Trying To Write. Trying To Publish

I'm looking at publishing some short stories directly into an epub system like say Nook's PubIt or Kindle's... PowerSurge/CreateSpace, I forget what it's called.  If I can get a volunteer or three (again) to scan some stories for 1) grammar erroks, and 2) general readability... that might not help, because I get frustrated with criticisms that tell me to do 150 other things than I'm used to doing.  Sigh.  :/

Friday, December 31, 2010

To Say Goodbye to 2010

And en route to 2011... I need to say just one thing:

The TRON: Legacy soundtrack is THE AWESOME.




If Daft Punk doesn't get an Oscar nomination for Best Original Score, it will go down as one of the bigger snubs in Oscars history (well, not up there with Edward G. Robinson never getting an acting nomination, but somewhere in the Top Ten).



Happy New Year!

Tuesday, December 14, 2010

Witty's Year End Book Review 2010

Another year of unemployment, more time to stress out and read books to calm down...

To re-state the rules: These are not books published this year that I think are AWESOME AND COOL.  Some of these books may have been published ages ago.  It's just these are the books I've read this year that I feel are deserving of the AWESOME AND COOL labels of labeling.  And for the Chinese Spammers who try to leave ....... comments in my comments field, there's a chance they might notice a title and read a book and BE CORRUPTED FOREVER BY MY WESTERN CULTURE IDEALS BWHAHAHAHA.  Okay, maybe not, but here goes.

BEST FICTION BOOK

Snow Crash, Neal Stephenson
This is a cyberpunk novel that's been out for less than two decades (published 1992!), but I'd heard good things about it and never got a chance to find a copy to read.  Well, with the time on my hands now...
Snow Crash involves Hiro Protagonist (yes, that's his name) living in a 21st Century Los Angeles future world where corporations (some having merged with crime families) control everything... even to where people's names are trademarked.  After losing his job delivering pizza for the Mafia (it's there in 20 minutes OR ELSE), Hiro teams up with the girl YT (Yours Truly) - who's partly to blame for that job loss - to hire themselves out as a hacker/intel to the privatized CIA.  They quickly uncover a dangerous new drug - Snow Crash - that's part computer virus and real-life virus that's infecting more and more citizenry.  It all has something to do with Sumerian religion, self-made gods, and a quest for a universal language that can enslave us all...
What makes the novel fun is how it's both standard cyberpunk - the computer universe and its anarchistic hacker culture - and post-modern thriller. Post-modern meaning self-awareness.  Hiro is fully aware of all Internet Traditions (even though this book was written before any serious traditions were forged!), and also fully hip to the tropes and memes of heroic narrative.  His description of Raven also explains the Badass so well it's what the Tvtropes.org website uses to open their Badass entry.

BEST NON-FICTION BOOK

 Battle Cry Of Freedom, James McPherson
If not the definitive work on the American Civil War, most likely it's in the Top 5.
Political blogger Ta-Nehesi Coates hosted a book reading club online for 2010 on this work, and I had chimed in with my comments, observations, and witless retorts.  Index here on all of TNC's Civil War entries, by the by.
McPherson goes into excellent detail about both the causes of the Civil War (Slavery, slavery, Southern financial and political elites eager to maintain the status quo, and oh yeah slavery) and the battlefield conflicts themselves.  Switching from one chapter that investigates and highlights the political, economic, and cultural changes that the war brought upon the nation; to the next chapter that describes the carnage, confusion, and wartime heroism of each major battle (Shiloh, Gettysburg, the Wilderness, Petersburg) and the generals who mismanaged it all.
It's a must-read for all Americans.  Even the ones who don't like history.  You need to read this because, by simple comparison of the rhetoric of the Southern Slaveowner politicos to the rhetoric of today's Far Right conservatives, you'll realize we're still fighting that damn war...

BEST GRAPHIC NOVEL


JLA/Avengers, Kurt Busiek and George Perez
This had been out for a few years, and in fact had been on the drawing board for decades (back to the mid-1980s when the comic business exploded into mainstream culture), but I had finally gotten around to reading the collected series this year.
Comic book crossovers are nothing new.  In-universe, they happen all the time (especially as a guest appearance by a popular character - Batman - could boost sales for a struggling title).  Crossing universes, however, are obviously trickier: companies are wary of losing any creative control over their characters, and crossovers between universes have a habit of ignoring certain continuity in order to justify its plot.  Sometimes, a writer unfamiliar with the history or traits of a character can derail everything both within the crossover's story and back in the established continuity that could well kill off a character's popularity for good.  This is, by the way, what happened when DC and Marvel did create a crossover event called DC Vs. Marvel in the mid-1990s that created a convoluted and ridiculous Origin Myth for both universes, set up characters to fight each other for no real reason or resolution, and ended up entertaining NOBODY.
JLA/Avengers did it right.
Taking the primary superhero teams of each universe - Justice League of America (DC) and The Avengers (Marvel) - the story involves a DC galactic villain Krona who travels from universe to universe in a quest to understand how universes are created (in order to control such power for himself).  But in order to do that, he has to destroy said universes while studying them.  When he reaches the Marvel Universe, he confronts the first being of any power that can delay him - The Grandmaster, a hedonist lover of high-stakes games - and is forced to accept the Grandmaster's challenge of having universal champions fight each other to claim twelve powerful totems... and they choose the Justice League and Avengers for the game...
Busiek has a lot of fun tweaking the cultures and continuity of each comic book universe as the two teams visit the others' world and clash.  DC heroes are horrified to see how in the Marvel universe that mutants are persecuted and tyrants like Doom left unchallenged.  Marvel heroes are horrified to see that Supers in the DC universe are nearly worshiped as gods in what looks to them like a fascist society.  Marvel's resident speedster Quicksilver is envious of the fact that his competitor The Flash has his own museum.
Impressive also is Perez's artwork: Notorious for drawing elaborate battle scenes and massive gathering of characters (the cover art for one issue was so packed full of superheroes that Perez had to rest his hand for weeks after completing it), this series was quite possibly his best effort since Crisis on Infinite Earths.
The clincher for the series is when the two teams, realizing the Grandmaster's plot had forced their two Earths together to trap Krona - and that the trap is falling apart - find out from the cosmic being the price each hero will pay even if they stop Krona.  As the heroes had reverted to their Silver (Heroic) Age personas of the 1980s, all of them are shocked by the de-railings (and deaths) each character suffered during the Dark (Antihero) Age of the 1990s.  Disgusted by their futures, they nonetheless agree that stopping Krona - who would destroy both universes anyway - has to happen... and they proceed to launch a massive assault on Krona's citadel just as he's carving into the two beings (Infinity and Kismet) that personify each universe...
As a comic book fan, this was a decent read.

BEST BOOK BY SOMEONE I KNOW AND CORRESPONDED WITH VIA EMAIL ON AN OCCASIONAL BASIS 

I'm gonna need to get back to you all on this one, I haven't made up my mind between Sheryl Nantus or TNC or...

Friday, November 26, 2010

NaNoWriMo Update: Day 26

And it was on this day...



I reached 50,000 words.

Specifically 50,358 words as of Nov. 26th, 2010, 10:05 PM EST.

The good news?  I got it to 50,000 plus.

The bad news?  The novel itself is literally half-way there.  If we're going by my original outline, we're still finishing up the first big incident and have yet to reach Incident Point Two, Three or Four.  Nor anywhere near the conclusion.

The good news?  I got four days to keep going.

Monday, November 22, 2010

Before It Gets Too Late: NaNoWriMo Update Day 22

Just getting this in as of 11:55 PM on Nov. 22nd.  43273 words.

I've actually slowed down this weekend after the blind rush of Friday.  I am within 6,800 words of getting the 50,000 word count.  It's the novel itself.  I feel myself bogging down into fractal detail right now, creating a situation where I'm trying to leave clues for the solution I've plotted at the end... so I need to pick this up and get it going into the next set of chapters.  Grrr.

Saturday, November 20, 2010

NaNoWriMo Update: Day 20

This is coming late at night, having been a busy Friday all around.

Currently at 40,014 words.  At this pace 50,000 is no problem.  Finishing the whole novel currently at Chapter Five with Five (maybe up to Seven if the pacing goes as it does) more to go.