Witty's Year End Book Review 2023

Time flies when you're trying to get two books put together while juggling full-time librarian work. Ahh, but here we are at the end of 2023 and it's time to promote the books I've read this year that I'd like to share with you.

As a reminder, this list is not the best books that came out this year, but the best of what I've read this year. This means the book could be published five-ten years ago and I've just gotten around to it. The book should well be available in your local library (or you can always purchase online).

Best Fiction

Gator A-Go-Go, Tim Dorsey

A sad reason for re-reading this book due to the passing of author Tim Dorsey, writer of the Serge Storms series of wacky violent Florida-themed crime thrillers.

I decided to reach back to some of the better books in that series, and this story - an unusually dark tale even for Dorsey - stood out. If you've read one Serge book, you'll notice how most of the others will go: Serge and his drug-addled Sancho Panza figure (Coleman here) will get involved in a zany scheme to revel in a particular Floridian trend, in this story the annual Spring Break craziness of college students partying at the popular beaches. There will be a parallel story involving relative innocent characters - this time a college student getting hunted by a violent drug cartel seeking retribution - that Serge will intercept and then drag along to protect those characters all the while driving across the Sunshine State and driving everybody else mad.

Gator A-Go-Go is notable for throwing in a large number of side characters that Dorsey introduced over the years, including the Davenport family and the likes of "City" and "Country" (college girls fleeing from a crime they didn't commit). Coleman - drug abuser extraordinaire - gets to shine teaching the college kids how to handle their highs, and even teams up with his mirror character Lenny to complete the circle. It's also one of the books where Serge's skill set - highly inventive ways to kill bad guys or bad tourists - goes into some of his craziest kills yet, including a painfully simple-yet-effective "death by toilet" along with the reinvention of the ballista. But where Serge's violence is wacky fun, the narrative arc for the innocent character Andy - coming to terms with what the drug cartel did to hurt his family - gets deadly serious. It makes for one of Dorsey's most complex and plot-heavy books in the series.

I may be tempted to do a review of all the Serge books next year.

Best Non-Fiction

Revolutionary Roads: Searching for the War That Made America Independent, and All the Places It Could Have Gone Terribly Wrong, Bob Thompson

One of the more interesting historical reads I've seen, where Thompson takes a literal field trip to all the important places across the United States where the foundling nation fighting the British for independence, and does it in chronological order racing from the battlefields of Massachusetts and New York down to the swamps of South Carolina leading to Yorktown. In-between, he visits the smaller yet pivotal flashpoints where bad luck or a bad military order could have ended the fight and the new nation. 

Making this a delight - for an amateur historian like meself - are the interviews Thompson makes with fellow local historians who are well-versed in both the legends and the facts of what happened on those battlefields. One of the highlights in the book is when Thompson arrives at Saratoga, the victory for the Americans that convinced France and other European nations to support the rebellion, and where controversy over Benedict Arnold's role - the hero of Saratoga who ended up as America's greatest betrayer - questioned if he was as big a hero - and as tragic a figure - as common knowledge makes him. Talking with the local historians like Jim Hughto and Eric Schnitzer, Thompson weaves together the complex events of the Battle of Saratoga to give as much insight to the reader as possible... and I'd rather let you read the conclusions on p. 176 of the hardcover for yourself so I can encourage you to check this out.

Best Graphic Novel (or On-Going Series)

Wonder Woman (Dawn of DC series), Tom King writer and Daniel Sampere artist

With all of the in-universe Crises and crossover storylines that have consumed the DC Universe the past 20 years, I tend to be wary of any new reboot of the 'verse that follows all the other confusing reboots that have gone before.

This new Dawn of DC event meant to rebirth the major characters alongside a shared narrative of an Earth - and universe - now hostile to the superheroes that had been brought back from the dead (again) has a base storyline of Amanda Waller - wary of metahumans like never before - working with her government-controlled metahumans and super-powered agencies to remove the Justice League level superheroes along with the supervillains. As part of her plot, she's gotten the United States government - with a puppet President - to outlaw the Amazonian culture and their warriors - meaning Wonder Woman herself - to the point where outright war with the Amazons will be the only result.

In the midst of that, Diana is trying to bridge the gap between the forces and maintain a positive public persona while the media and US government openly attack her and her sisters... and failing, as Wonder Woman's allies in the US find themselves ostracized and as the leaders on Themyscira prepare for a fight.

King has been one of the more reliable writers in the DC 'verse over the years, able to deliver decent plotting and dialog, and I have high hopes he'll do this series well as the Dawn plotline progresses. I'm not familiar with Sampere's work as an artist although he's done previous work on various Superman titles. His work on this series is noticeably beautiful.

As for the whole Dawn of DC narrative... we'll see.

Best Work By Someone I Email, Tweet, or Chat With On a Regular Basis

Starter Villain, John Scalzi

I should be changing this requirement from Twitter to Bluesky as Elon Musk is killing Twitter (no I will NOT call it X), but anyway Scalzi is keeping up with new twisted tales in the science fiction / fantasy genres with this latest novel. A divorced, unhappy guy stuck as a substitute teacher and stuck in a house he inherited from his recently-passed dad finds himself stuck inheriting his uncle's parking garage empire... except that the parking garage empire is a cover for a supervillain empire. The guy Charlie suddenly finds himself competing against fellow supervillains while figuring out the rules of the game: The villainy isn't for blowing up stuff for world domination, it's selling the stuff that can blow up (that's where the real money is). He has to cope with being an evildoer and also coming to terms with the possibility his pet cats might be smarter at this than he is.

Done in a breezy, almost tongue-in-cheek style, with an eye towards deconstructing the James Bond vs. Spectre / GI Joe vs. Cobra narratives that Scalzi's generation (he's a fellow Xer) grew up enjoying, Starter Villain is a good read to get into once you're tired of binge-watching the Marvel shows on Disney-Plus. Get to it, people!

Best Work Including Stuff I Wrote

Funny Locations: Collected Stories, Paul Wartenberg

Finally, I got around to putting together a flash-drive full of short stories I've written since my college years, and piling up since my last collection of stories in the now-out-of-print Last of the Grapefruit Wars from almost 20 years earlier.

Bound around a theme of stories happening in different locales, with a hopefully humorous bent, this is something I hope appeals well to others. It's got a number of stories that I know have gone over well - "Fifth Annual Office Golf Showdown" is an award winner, and "Road Trip To Vegas" made semifinalist for the Royal Palms a few years back - and I mostly hope this self-published effort has all the speeling and grammah eroors all figured oot.

(pause) Goddarnnit...

Okay, all kidding aside. PLEASE do me the honor of buying my book and leaving good reviews anywhere and everywhere, thank you!

Witty's Year End Book Review 2021

Ahhh, where did the time go?

Things picked back up at work, which included an uptick in ordering more science fiction novels and nonfiction titles, and involved reading a few more titles than usual just to keep up with the hottest authors and current topics.

That all means I'm still promoting a narrow list of things I liked most this past 2021. This has actually taken me longer than usual because I really couldn't figure out a Best Fiction novel to choose from even though there were a couple I liked well enough. Rather than leave the category empty I had to think it over. So here goes.

Best Fiction

Zoey Punches the Future In the Dick, David Wong

There's a trope called Exactly What It Says On the Tin, where if a book title reads "Kaiju Fighting Robots" and there's 50 foot monsters fighting 50 foot robots, then HELL YEAH that's what we're looking for. And this novel goes exactly into the zany, hyperkinetic comic book craziness the title tells us it'll do.

It's Halloween season in a crazy superhuman-filled metropolis where Zoey - a young woman turned criminal overlord - gets attacked by a zombie claiming she's responsible for its death and an impending apocalypse. Now targeted by other crime lords who don't like Zoey's attempts to convert her empire into a force for good - as well as a new threat calling itself the "Vanguard of Peace" - she has to solve this mystery, get prepped for Halloween, avoid cyborg cats, and survive to the next novel in this new crazy-ass series.

Written by the guy who brought us John Dies At the End and This Book Is Full of Spiders, this book - sequel to Futuristic Violence and Fancy Suits, which I hadn't actually read yet, I only ordered this book for my library because the title was hilarious - does a good job of creating its own world with quirks and decent literary twists. It does provide relevant commentary on the horrific nature of online trolling and the emotional toll it takes on its victims, as Zoey copes with a threat calling itself Blowback that turns out to be just a handful of loathsome trolls who don't represent anybody but themselves. If you're trying to find something to read that's not as ponderous as most of the current sci-fi / fantasy market, this could be a fun alternative.

Best Non-Fiction

The Cruelty Is The Point, Adam Serwer

A lot of the non-fiction books I've read and place here on my blog as best reads all happen to document the rise to power of one donald trump, a bankrupt businessman/con artist who rose to the Presidency on a mountain of lies and a broken political system that let him bluff his way in. Where most of those books documented the atrocities trump committed once in power, Serwer - writer/editor at The Atlantic - takes a larger view to examine the mental state of a nation that willingly accepted this overt bully/demagogue promoting an agenda driven by Cruelty as his platform. Anchored by the essay that gives this book its title, Serwer delves into the various racial and sexist world-views underlying the American psyche, and exposes the rage and hate that trump and his ilk feed on for profit and power. As important a read as any other books on trump's violent rhetoric and abusive behaviors.

Runner-Up: Hiding in Plain Sight, Sarah Kendzior

Similar in focus to Serwer's essays, Kendzior documents not only trump's psychosis but also looks at the parts of America - the Red State regions abandoned by an American culture and economic system of the 21st Century that they distrust out of religious and racist world-views that dominate there - that are never going to accept the more liberal Blue State regions that cannot comprehend how those regional Americans are so hate-filled and contrarian.

Best Graphic Novel (or Ongoing Series)

Wonder Woman Historia Vol. 1, Kelly Sue DeConnick (author) and Phil Jimenez (artist)

Normally I'm a Batman fan first and foremost, but lately there's been a lot of great work done with Wonder Woman as the primary hero of the DC Universe, and it's all capped by this recent release on the Black Label (magazine) format, a massive retelling of the origin of that comics' universe Amazon culture, the emergence of Wonder Woman's mother Queen Hippolyta, and a war between gods and genders. 

What's knocking everyone off their feet is the work Jimenez put in as the artist. Arguably one of the most detailed illustrators in the business, inspired by greats like George Perez and drawing in a similar style harking back to Perez's tenure on Wonder Woman in the late 1980s, the first issue already has been hailed as a masterpiece of graphic art.

While less a story about Wonder Woman and more about the history - hence the title - that would lead to her "birth" as the Amazons' princess warrior, there is well enough here to entice readers who don't even follow comics to pick up the title. Like most Black Label works, this is NOT a comic book for children and its depictions of abuse gets brutal (given the themes of male-on-female violence, this is unavoidable). 

And again, the artwork on this is incredible: Any one panel of Jimenez's art could stand alone as a framed work on museum walls. This is arguably the best-drawn comic in ages.

Best Work by Someone I Email, Tweet, or Chat With on a Regular Basis

Guns of the South, Harry Turtledove

One of the few advantages of Twitter is that well-known authors occasionally take to the tweets to make their voices heard on the issues, and Mr. Turtledove is one of them. As a writer of Alternate History (AH) novels - and with an academic degree in Byzantine History, which does explain a whole lot of his interest in What-If narratives - he does have knowledge about the rise and fall of empires/civilizations, and if anything the 21st Century political landscape is full of that requiring his observations. So tweet he does, and often I tweet/retweet his stuff with follow-up commentary by him, so it's all good.

That said, Guns of the South is one of Turtledove's better-known What-If novels: The Confederate army under General Lee is facing defeat in early 1864 due to lack of supplies and lack of rifles. A group of men calling themselves "America Will Break" (AWB) show up with an offer of a new, rather lethal weapon they call the AK-47, more advanced and deadly - and literally futuristic - than the Union repeating rifles. Along with oddly packed rations most 20th Century people would recognize as Cold War-era MREs and guarantees of unlimited supply of both, Lee accepts the deal... and leads to the South utterly defeating the North within weeks. With this sudden change of history - where Confederate success means their dreams of a slave nation continue - the timeline we know of by the 21st Century becomes a darker, more treacherous place... especially when Lee and the other Southerners find out who the AWB really are and what they really want.

What makes Turtledove's efforts here intriguing is how he doesn't fall into the traps most other AH/What-If authors fall into: The one little "For Want of a Nail" moment doesn't always end up with clean and unrealistic happy results that bad AH novels fall into. For all that the AWB hoped for - that their time-travel events would create a slave-controlling empire that would ally with them in a future war of their own making - it doesn't change the historic global trends of slavery getting outlawed. Indeed, the European powers - Great Britain especially - that hesitated siding with the Confederacy against the United States now have a reason to openly oppose the new Confederate nation that still propagates a slave system. Defeating the Union doesn't stop slaves in the South from fleeing for safe havens further north. And for all that slavery did promoting racism in the United States, the AWB's more hateful views become shocking to Southerners who prided themselves on more genteel behavior.

Turtledove's novels cover a lot of major historical events - the American Civil War, World War II (he comes up with some doozies for "Hitler Wins" scenarios including lizard aliens), the Age of Exploration, etc. - so he has a bunch of novel series to go through. It'll be worth a look.

Best Work Including Stuff I Wrote

Strangely Funny VIII, edited by Sarah Glenn (Mystery & Horror LLC)

Many thanks again to the publishers at Mystery & Horror LLC, who accepted this year a story about 2020 aptly titled "War Of the Murder Hornets." It's about Murder Hornets, a legitimate imported death machine from Asia that contributed to a lot of madness the previous year (and are still around as a looming threat). Because 2020 was worth that kind of horror.

In some ways, 2021 was too.

/cries

Witty's Year End Book Review 2020

You might think with a year-long pandemic - things at the library quieted down right quick by late January - I would find more time to read. Also, that my early year surgery that forced me to stay home for most of a month would leave me with that kind of time as well. Sad to note: the level of anxiety and stress in the midst of all that kind of reduced my reading habits this year. It wasn't I did not have the time - no longer wasting weekends at the movies, for one - it was that I lost a lot of focus to read. I'm sorry.

I did read *some* this year, and so in that regards I will list what I read as suggested reads to pass along to the seven people who follow this blog, thank ye. It's just... honestly? This wasn't a competitive year...

Best Fiction

My rules on what I like each year isn't that the work HAS to be from this year - I do try - sometimes it's an older published work I re-visit that regains my interest. That said:

Monstrous Regiment, by Terry Pratchett

Another of the Discworld books I've become fond of, this is one of the later works where Pratchett's world-building - especially the fantastic politics of the various nation-states engaged in border clashes - expands to make it a more realized realm. On Discworld, the Narrative matters and the Gods are real. The problem with the small nation of (looks it up) Borogravia is that their god Nuggan has gone mad, been mad for ages, and His insane proclamations have weakened the faith of the population, which still has to abide against his Abominations. It's led to a state of constant war with neighboring kingdoms, which has also led to the literal depletion of Borogravia's manpower... to the point where the young women are signing up for the latest war in order to get into (or out of) conflict to rescue their loved ones. Or so it seems.

Playing on the trope of Sweet Polly Oliver - with an actual Polly (this is how Discworld rolls, son) as the protagonist - the main characters find themselves the last standing military unit against Zlobenia. Relying on the military tropes as both parody and metaphor, the lads (or ladettes, however the case may be) must rely on their innate skills - vampire, troll, Igor, Joan of Archetype, what have you... just not their feminine ones, which becomes a plot point later - to break the cycle of madness (and free a soul they don't realize has been trapped by faith) and end the war. 

Where the book excels is Pratchett's subtle yet elaborate wordplay, and his willingness to tweak tropes for all they're worth. For example the vampire Maladict (whom Polly thinks is the only real man in her regiment) had traded out the addiction for blood to an addiction for coffee (the mainstay of any marching army, what what). When one of the bad guys (yes, he's a guy) steals the regiment's supply, it forces Maladict into withdrawal mode, mimicking the shell-shocked Vietnam trooper with increasingly powerful hallucinations that Maladict can broadcast. It's in this confused state that Polly herself can imagine "Copters in the LZ" even though she has no idea what a 'Copter or an LZ is. It also allows her to hallucinate walking with Death (yes, he's a Reaper Man) because after all every soldier walks with Death (plus he's contractually obligated to appear in every Discworld story). It's just that Polly's the only one on Discworld who told Death to keep quiet while they walked.

It's not one of Pratchett's best Discworld novels (Small Gods, Guards Guards, and Hogfather are far superior works) but it's an enjoyable read that's easy to get into even if you're not a hardcore reader of the series.

Dishonorable Mention: The Jack Reacher series by Lee Child

I'm sorry, but... I tried, I really tried to read a number of these books about an ex-military MP who walks the Earth getting into violent adventures. But it's just... almost all the same damn thing. He shows up, gets into fights with the locals, uncovers a conspiracy, occasionally has sex with a woman tangibly involved in the matter, wipes out the big bad's merc army in a gunfight, sometimes heads off in an epilogue to take out a corrupt government official who violated the oath of service to America, and goes wandering off to the next book. Half the dialog isn't dialog it's just the narrator writing "(This character) said nothing." I guess it's like Mac and Cheese for a large number of readers, but it's just overheated Revenge Porn. The Punisher does it better, dammit.

Best Non-Fiction

Very Stable Genius, by Philip Rucker and Carol Leonnig

If you follow me on my political blog, you might notice I am not a fan of donald trump (I refuse to capitalize his name as English grammar requires. The SOB obsesses over his name's presentation and the smaller I can make it the better).

So a lot of non-fiction I've been reading the past four years have been "What The Hell Happened" history/political science books focusing on the disaster that has been the trump Administration. Very Stable Genius is coming towards the end of trump's one-term tenure, and it looks back at all of the chaos and damage that occurred. Most telling is the ninth chapter where Rucker and Leonnig detail how - in an attempt by the Defense and State Departments to explain to trump just what is actually happening in the world - trump hijacked the meeting to spew his unfounded diatribes about our foreign allies, which all ended with trump - a draft-dodging self-obsessed whiner - insulting military officials to their faces:

Trump by now was in one of his rages. He was so angry that he wasn't taking many breaths... "I wouldn't go to war with you people," Trump told the assembled brass. Addressing the room, the commander-in-chief barked, "You're a bunch of dopes and babies." For a President known for verbiage he euphemistically called "locker room talk," this was the gravest insult he could have delivered to these people, in this sacred place. The flag officers in the room were shocked. Some staff began looking down at their papers, rearranging folders, almost wishing themselves out of the room..." (p. 136)

You might notice the book's title - trump's own words describing himself (like 74 percent of anything he says, it's a lie) - is a sharp rebuke: Everything in the pages details how trump is an unstable, self-absorbed fool. And it's someone who was put in charge of the United States for four painful years.

There's going to be a lot of books written about this era. Rucker and Leonnig's book should be one of the first ones to reach for.

Runner-up: The Public And Its Problems, by John Dewey

As part of my efforts to keep up with Pragmatism as a philosophy, especially with an eye towards promoting it as a political philosophy to counter the darker (cough Randian Objectivist cough) ideologies consuming our nation. I'm still re-reading it to see what I can translate into modern world-view explanation.

Best Graphic Novel (or Ongoing Series)

Wonder Woman: Dead Earth (Black Label), by Daniel Johnson

Part of DC Comics' efforts to re-imagine their main characters with edgier, more mature stories, the Black Label brand includes this retelling of Wonder Woman in a post-apocalyptic future where she emerges to find her attempts to save the World of Men had failed. Worse, the nuclear war that consumed the planet had turned her paradise into a monstrous realm that has abandoned any hope of peace at all.

In the same narrative take as Sejic's dark vision on Harleen, Johnson as writer/artist employs a stark and harsh art style similar in my mind to Frank Miller's work. It's the first time I've seen his artwork and I am impressed by it. I am going to keep an eye out for future works. 

Runner-up: Solutions and Other Problems, by Allie Brosh

It took about 7 years, but Brosh returned with a follow-up to her Hyperbole And a Half with another essay-styled series of comics about the everyday dramas of coping with the world. Where the earlier book's artwork was crudely pixelated work (the strength of the stories is Brosh's writing and observations), the new work is cleaner, sharper in tone as the writing itself gets sharper with experience.

Best Work by Someone I Email, Tweet, or Chat With on a Regular Basis 

The Last Emperox, by John Scalzi

Keeping up with Scalzi's Interdependency trilogy, which I started reading back in 2017 with The Collapsing Empire, the third and final volume focuses on the eventual collapse of a naturally-occurring hyperspace system (The Flow) and how it affects a galactic-wide human empire suddenly forced to find other ways to survive.

Intermixed with the efforts to discover the new portals to a shifting Flow network, Scalzi's main characters have to contend with the political backstabbing of an empire still driven by intrigue and ambition, where the bad guys from the first two novels have succeeded in seizing control of the one planet (End, literally at the end of the Flow) that has a sustainable human environment and are gathering the other Houses to overthrow Empress (well, Emperox to avoid the gender bias) Grayland and condemn billions of humans who need to reach End.

Some of the characters - including the villains - remain rather predictable playing out their roles in a Space Opera environs (did one of the baddies twirl a mustache at one point?). Scalzi still crafts a believable 'Verse with relatable characters and satisfying plot twists. There's no new ground really broken here - the themes of humanity, futurism, our relationship to the environment, these are all regular tropes of most science fiction - but it's a story well-told. 

Expect the SyFy miniseries in the next two-three years.

Best Work Including Stuff I Wrote

I did not get published this year, alas. Self-publishing even one of my short works seemed... wrong. I am struggling to keep my head in the writing game... I may have something published by next year, we will see.